新秩序

这一次，导演米歇尔 弗兰克的《新秩序》是对当今日益增多军事控制的批判。。。他更多地利用极具冲击性和直面现实的表达方式讲故事。 一日墨西哥城，在 Marianne (Naian Gonzaléz Norvind) 婚礼当日，受雇于她家族的一名前任雇员跑来寻求帮助， 而当时绝大多数人冷漠以待、拒绝援手。。。Marianne 有些心软了，然而城里爆发了游行(protests)...她被迫紧急避难。 然而此时ZF 抓了不少富人（包括Marianne）在内。。。。。

《新秩序》讲述了无辜者与无情激进分子在此中的故事，富人转向需求armed forces 维持生存秩序，而贫困的反对者以同等的vio--lence处决统治阶级。。。。 此导演表达了对军事力量的担忧与谴责 ：在他未来的世界中，没有人是公正或者是和平主义者

摘自：www.lostincinema.it

Rather than ‘eating the rich,’ the lower classes are continually victimized in a vicious circle whilst the upper echelons inadvertently finance the uprisings which will ensure their own irrelevance and demise. The control of information through violence and propaganda are the tools which usher in the military rule, and rising nationalism can evolve into the totalitarian powers fashioned into the ‘new order’ of the title by the end credits. Along the way, the narrative intensity and fluctuating empathies ratchet up a tension which eventually wears one down into exhaustion, which may be the point of Franco’s overall filmography, many of whom decry as repellant or exploitive.

摘自：www.lostincinema.it

呃，胆大的可以在夏日晚上关着灯看看。。。。

摘自：www.rogerebert.com