萨特本

An anticlimactic film for me.

Actually, I was deeply impressed by the whole atmosphere and the silent storm beneath the strangely peaceful surface of a dead lake, however, what I said above was just from just the former part of this film. Since Oliver’s awful desire began to be shown to everyone, especially Felix, the man he crazily loved or yearned for, the story gradually evolved.

when the stimulation brought from the clips and the remarkable genius actor who played the role of Oliver was swiftly elevated, I just encountered the truth of this killing job, which is not that impressive at all. in my opinion, the marvellous mixture of Oliver's love, passion, hatred, desire, possession and eagerness for Felix, can not be just from his simple, pursuant about status, company, wealth and so on. it should be more, like deeper, crazier, and more delicate, and that's why I thought the ending was not as great as such things created by the former.

in a nutshell, Saltburn is still an excellent work for me, and I'm really into the metaphors and symbols set by the director. every plot that happened in this castle just made this whole story a bewildering hyperreal dream. you were the toy, though, u could also be a monster, an evil. the one who was reckoned as a moth, a spider, however, was the soberest, also the craziest man laughing loudest on this disastrous debris.

My English is totally a mess so I am about to end my nonsense now.

in addition, the name of this film is Saltburn, aplace, where terrifying things happened and rich noble people lived, not Oliver or something else. thus I bravely throw a personal view of mine, that the film just refers to Troy, a labyrinth, Pandora, the Babel, and most importantly, an extremely ugly dream for all of us. we are all rooted in such a dangerous, crazy and evil world, both u and I are just toys or dolls in a sumptuous golden peaceful castle.