河流与潮汐

很喜欢

Took me a few times to get through - 或许是内心隐秘的愧疚。在“艺术”的范畴里我已经很久没有碰到真诚地觉得“好”的作品，但他的创作又似乎goes beyond what we call “art”

as he suggested in the film - word can do barely enough sometimes and so much more is in the creation itself

his work is simultaneously approaching the primitive and the divine, touched on some of the deepest connection between us and this land. While much of them exist only momentarily and dwell on this slippery relationship with time (as it dwells in nature) , there is a transcendental quality about them - almost feel like they could be created/appreciated(?) by any creatures/beings/aliens; they could be there now, or a thousand years ago or a thousand years later

one thing tho - if all of these works he created is not captured on camera/ not recorded, would it make his work more integral/stronger or does that involvement of audience/ interpretation still plays an essential role?