Bleaching Black Culture(2014)

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分类:纪录片  地区:美国  年份:2014 

主演:David Banner Keith Clinkscales Tommy Ford Carl Anthony Payne II 

导演:Cas Sigers-Beedles / Cas Sigers-Beedles

Cas Sigers-Beedles

2014-09-30英语

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剧情简介

米诺视频为您提供2014年由David Banner,Keith Clinkscales,Tommy Ford,Carl Anthony Payne II主演,Cas Sigers-Beedles导演的《Bleaching Black Culture》纪录片 电影在线观看完整版,《Bleaching Black Culture》百度云网盘资源以及《Bleaching Black Culture》高清蓝光mp4迅雷下载,《Bleaching Black Culture》BT下载资源,希望您能喜欢!

From the stolen legacy of African civilization to the shaping of American and gl

Plot Summary:From the birth of jazz to the evolution of hip hop; the advents of urban trends to transformative advances in technology, African Americans have played an integral role in molding American culture. Unfortunately, we tend to not be the beneficiaries of our own innovation. Bleaching Black Culture examines the continuum of America's black cultural appropriation and effects on the African American community. The imprint of cultural theft has a long legacy, and this power of influence in music, sports, fashion and art translates into millions of dollars for our country. So, if the AfricanAmerican community is the cultural architect, why are we still outside of the building begging to get in? Cultural branding has not only helped to exploit the hip hop community along with other forms of black art, but it's managed to monetize off of black marginalization. Currently, the Rhythm and Blues billboard chart, a genre developed for the African American voice, is dominated with the likes of Robin Thicke, Justin Bieber, and Adele. Perhaps, it's easier to sell black art when it's masked in "white face." Yet the argument with the latter comes from the 2013 African American consumer report. It shows black buying power rising from its current astonishing $1 trillion level to a fore casted $1.3 trillion by 2017. Since the African American community is the number one consumer, it begs to ask - can we take ownership of our cultural influence and convert our buying power into economic capital? Or, with the appropriation of black culture becoming more and more exploitive and lucrative, is admiration the new bastardization?

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