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关键词: 阿格涅丝卡·霍兰 A Lonely Woman 剧情
米诺视频为您提供1987年由玛丽亚·赫瓦利布格,博古斯瓦夫·林达主演,阿格涅丝卡·霍兰导演的《一个孤独的女人》/原名《Kobieta samotna》/又名《A Lonely Woman》剧情 电影在线观看完整版,《一个孤独的女人》百度云网盘资源以及《一个孤独的女人》高清蓝光mp4迅雷下载,《一个孤独的女人》BT下载资源,希望您能喜欢!
严酷时代下波兰女性的最后一声呐喊。导演荷兰德拍完这部影片后就移居法国,开始了自己新的生活。。。多年之后当她再次观看自己当年这部影片时,依然对主人公伊琳娜悲惨的结
Plot Summary:A story of a middle-aged woman, Irena, living alone on the outskirts of Wroclaw with her 8-year old son. They live in a drab apartment. She is a mail carrier and her son is her only pride and joy. She hardly communicates with anybody else in a humanly open and natural way. She also cares for a sick relative. One day when delivering a monthly pension to a crippled young miner Jacek, she faints at his doorsteps. Even though she is determined to live alone after divorcing her drunken first husband, she also knows that her boy needs a male figure to correct his bad habits. She also needs a man badly. The love affair between Jacek and Irena begins however their first physical encounter shatters them both. Irena has a lot of problems: her son makes a lot of trouble at school, and at work her supervisor wants to take her route and give it to somebody else. Finally, the sick relative dies, and she is hit with the funeral bill instead with the expected inheritance. She steals pensioners' money she should be delivering. Tells Jacek that she indeed has received inheritance, places her son in a boaring institution and buys a used car for a trip to West Berlin, opting to immigrate. Now the accident happens...
日期 | 资源名称 | 类型 | 大小 | 下载 |
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2019-05-12 | A.Lonely.Woman.1987.DVDRip.x264-BiPOLAR | 1.12 GB | 下载 |
日期 | 资源名称 | 类型 | 大小 | 下载 |
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2019-05-12 | Kobieta samotna AKA A Woman Alone (Agnieszka Holla | 1.37GB | 下载 | |
2019-05-12 | Agnieszka Holland - Kobieta samotna AKA A Woman Al | 1.31 GB | 下载 |
日期 | 资源名称 | 类型 | 语言 | 下载 |
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2021-05-21 | 一个孤独的女人(英文字幕)Kobieta samotna(1981).OCR.Eng.rar | |||
2019-05-12 | 一个孤独的女人(英文字幕)Kobieta samotna(1981).OCR.Eng.rar |
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SLAVIC unit2
强大而极具无力感的控诉,一种无处可逃的急促占满了银幕,火车近在咫尺但为我们听到的却都是压倒自由的噪音。
无法感同身受的悲剧
Very depressing. 才知道自己生活在这个时代这个大背景是多么幸福。
此刻我感同身受,生活总是在给你希望后再让你绝望,绝望之后又重生希望,女人因为害怕孤独抛弃自我和儿子,但那一丝希望破灭后却再也没燃起,每个制度社会里总有这样的女人,被人们和生活抛弃,成了闭塞的怨妇,她们被生活压垮,如果遥不可及的那丝幸福希望重又出现,往往会飞蛾扑火,惨烈而动人
這種孤獨感從何而來?女人的悲劇是否具有必然性?克爾凱郭爾說,我們的存在是命定的、被動的,但是可以利用這種命定的存在去創造人的本質,但是我們必須注意到一個前提,即羅爾斯所說的正義與公平。所以影片的問題就提出來了,社會的外在存在決定了女人的悲劇走向,從孤獨跨往另一個更大的孤獨,死亡。
如今这种纯悲剧性的张力很难打动我了,我悲观地认为导演体现的是对某种制度的迷恋而非关怀,最典型的是Zanussi.Holland彷佛后来也迷惘在导演究竟是什么态度和立场?她要向观众要求什么呢?这种题材中国人拍得最好,代表是姚守岗的野妈妈。