They only print books and pics but never help us, they just get paid to show this. It’s a documentary to sell to a foreign country. / I like to confuse them when they are trying to understand. / I am the only lucky man in this life to have wiped his ass with bills. / Satire!
绝
是真的厉害,我感觉我们现在拍乡土电影用的也是类似套路(
讽刺只拍Pueblo贫困现状来卖钱 但不帮助人们脱离困境的拍片吸血鬼
They only print books and pics but never help us, they just get paid to show this. It’s a documentary to sell to a foreign country. / I like to confuse them when they are trying to understand. / I am the only lucky man in this life to have wiped his ass with bills. / Satire!
贫穷的吸血鬼
'gringos' making sophisticated 'universal value' documentary to fit their own narrative.
概念有趣,最重要的偽紀錄片之一。一部關於偽紀錄片(靠著貧窮題材在西方成功,找人扮演,獵奇眼光,片面、去脈絡化的呈現)的偽紀錄片(但是我也是假的——片中片的工作人員真的就是本片工作人員來飾演!——所以你也大可批判我,敞開可受公評的一面,並沒有預設一個比片中片工作人員更清高的道德無瑕制高點)。拿鈔票擦屁股的「瘋子」大哥(也是演的)。
They Americans think they shit the best. We columbians shit better and higher.
fuck...
有趣。一开始两部摄影机交替使用,到后面出现拍摄“意外”。黑白拍摄的内容反转,带出拍摄者功利的拍摄目的,以及“穷人的吸血鬼”的主题。MUBI偶然地将这部和哈内克放在一起,反而将站在不同角度探讨拍摄的伦理和冷漠自私连在了一起。哈内克讲的是观众,而奥斯皮纳/马约洛讲的是摄影,二者之间则是媒体产业的原罪。
哈哈可爱!沉迷胶片质感无法自拔,还是一式双份的。即使脱离当时哥伦比亚的时代背景也还是有效和厉害的,能够克服创作的痛苦的就只有好想法好概念好执行力了,在这个小片子里都体现出来了,这样的创作就是玩得开心。