As Kurt Maetzig, one of the GDR’s most respected filmmakers and the director of the banned film Das Kaninchen bin ich (The Rabbit is Me, 1965) declared publicly after his film was criticized: “I . . . believed I was firmly in line with the Party. It has only now become clear to me that I got out of line, and I don’t even know if I’ve gotten to the bottom of it yet.” Filmmakers could never be sure, when they began working on a film, exactly what kind of cultural climate might prevail on its completion. //Brockmann, S. A Critical History of German Film[M].New York: Camden House, 2010:215.
As Kurt Maetzig, one of the GDR’s most respected filmmakers and the director of the banned film Das Kaninchen bin ich (The Rabbit is Me, 1965) declared publicly after his film was criticized: “I . . . believed I was firmly in line with the Party. It has only now become clear to me that I got out of line, and I don’t even know if I’ve gotten to the bottom of it yet.” Filmmakers could never be sure, when they began working on a film, exactly what kind of cultural climate might prevail on its completion. //Brockmann, S. A Critical History of German Film[M].New York: Camden House, 2010:215.
2018361 二星还行
小白兔成长记。还好 you deserve
西德滴英俊少年,东德就是此片子咯……
东德式的爱情和政治
中规中矩,亮点不多,好处是,作为一部政治意味很浓的电影,没有脸谱化的毛病,人物情感也有一定深度。