Essai collectif et expérimental, We prend plus l’allure de la video art que celle du cinéma. En avance sur son temps,Ray effectue 1 rupture radicale avec son esthétique antérieure ( écrans multiples, surimpression). Renaissance psychédélique ou adieu testamentaire ?
It is still, a "work in progress", as it was shown in Cannes in 1973, although it has not been progressing since 1979. There are some really brilliant moments, yet the story is very much fragmented, or maybe he didn't even attempt to tell a story. A lion at his death bed.
1985.11.19
Tear comes when I saw the images. Most beautiful mess ever exsist.
Essai collectif et expérimental, We prend plus l’allure de la video art que celle du cinéma. En avance sur son temps,Ray effectue 1 rupture radicale avec son esthétique antérieure ( écrans multiples, surimpression). Renaissance psychédélique ou adieu testamentaire ?
Nicholas Ray 生前未完成的作品,有点坑爹。今天他的遗孀来cinemateque放了这部,看完有种被骗的感觉。也许有人会很爱这部片子,hippies I would say,也许很真实的纪录了七十年代的美国,但是我实在无法relate.
游泳池打斗那段太西游记了。。。
It is still, a "work in progress", as it was shown in Cannes in 1973, although it has not been progressing since 1979. There are some really brilliant moments, yet the story is very much fragmented, or maybe he didn't even attempt to tell a story. A lion at his death bed.
连同导演夫人Susan Ray拍的纪录片Don't Expect Too Much一起看的。两部都看哭了。